Books 

Enduring Images: A Future History of New Left Cinema (Minneapolis: University of Minnesota Press, 2018).

Public-Facing Scholarship

“The Stadium and Crises of Social Reproduction,” Society and Space Magazine, December 20, 2021.

“After the Industrial River: Essay Collection,” Morgan Adamson, Bruce Braun, and Roopali Phadke, eds.  “Mississippi. An Anthropocene River,” HKW Anthropocene Campus.

“Hour of the Furnaces: Imperial Finance and the Colonization of Daily Life,” Viewpoint Magazine, Feb 1, 2018.

“Anthropocene Realism,” The New Inquiry, November 30, 2015

Academic Writing

“Residential autonomy: economies of dispossession and their undoing in Rompiendo puertas/Break and Enter (1971)” Jumpcut: A Journal of Contemporary Media (2022) No 61.

“Internal Colony as Political Perspective: Counterinsurgency, Extraction, and Anti-Colonial Legacies of 1968 in the US,” Cultural Politics (2019) Vol 15 (3): 343-57.  

 “Toward a New Mode of Study: The New Student Left and the Occupation of Cinema in Columbia Revolt and Battlefront for the Liberation of Japan—Summer in Sanrizuka” in 1968 and Global Cinema, Sara Saljoughi and Christina Gerhardt, eds. (Detroit: Wayne State University Press, 2018), 145-164.

“Markets Without Subjects: Nasdaq and the Financial Interface,” New Formations: A Journal of Culture/Theory/Politics (2016) Vol. 88: 69-87.

“Accounting for Ashes: The Art of Sabotage in the Chilean Student Movement,” Minnesota Review (2015) Vol. 85: 162-169.    

“Closure of the ‘Gold Window’: From ‘Camera-Eye’ to ‘Brain-Screen,’” Film-Philosophy. (2013) Vol.17: 245-264.

“Labor, Finance, Counterrevolution: Finally Got the News at the End of the Short American Century,” South Atlantic Quarterly (Fall 2012) Vol. 111, 4: 803-23.

“The Human Capital Strategy,” Ephemera: Theory and Politics in Organization (November 2009) Vol. 9: 271-84.

“The Financialization of Student Life: Five Propositions on Student Debt,” Polygraph: International Journal of Culture and Politics (2009) Vol. 21: 107-20.